GREP Styles changes all that: It’s a way to attach a GREP find/change routine to a paragraph (or better, a paragraph style). However, the problem is that you need to run a find/change routine each time you want to make a change. If you’ve ever played with GREP in the Find/Change dialog box, you know that it’s incredibly powerful. Since they’re separate controls, you can combine “regular” nested styles with nested line styles (and even GREP styles - see below) in the same paragraph or even instance of text. It’s separate from nested styles (though in the same dialog box), but it works pretty much the same way. Now you can do this, with the new line styles feature. Ever since we started using nested styles a few years ago we’ve wanted to apply a character style to the first line in a paragraph - not just the first few words, but the whole line.
Why Adobe hid the cross-references feature inside the Hyperlinks panel is a mystery, but that’s where you’ll find it. Now it’s amazingly simple in InDesign CS4.
#Indesign story editor update
This is the holy grail for many long-document publishers: The ability to create sentences such as “See Figure 5-4 on page 19” and then have those cross-references (x-refs) update automatically when the figure or page number changes. In fact, text can have more than one condition applied to it simultaneously, opening up all sorts of possibilities for single-source, multi-channel publishing.Ĭross-references. When you want to print the US version, turn off the condition (click the visibility icon in the panel) and the “u” disappears. You could make a condition in the Conditional Text panel called “English English” and apply it to the “u” in “colour” and “harbour”. For example, let’s say you’re creating a brochure that will appear in both the USA and Australia. You can create one or more conditions and then apply them to any text you want. We’re “text heads” so we have to admit our tendency to like all things relating to text-and-type. We also love the new panel features, especially being able to make floating “docklets” that contain multiple panels and put them anywhere we want on screen. Our favorite new UI feature is the ability to have more than one file open within a single document window (each with a different tab, a la Web browsers). While we initially complained bitterly about yet-another-user-interface-change, after some months of using beta versions of CS4, we now find ourselves really liking the new darker-gray interface and CS3 already feels quaint and old-fashioned. Note that this overview only gives a glimpse of what’s to come you’ll find far more detail in David’s upcoming article in InDesign Magazine (Issue 26) and in future blog postings at. Let’s take a quick look at what you’ll find in InDesign CS4. But if you’re looking for groundbreaking new functionality that will improve every InDesign user’s worklife, the pickin’s are on the slim side.
It’s heartening to see that Adobe has been listening to its users and added long-requested features such as cross-references and real pre-flighting to the industry standard page layout program.
#Indesign story editor upgrade
InDesign CS4 is chock full o’ cool new features, but ultimately this upgrade is evolutionary, not revolutionary. So as the sun rises on a new day, Adobe today announces Creative Suite 4, and with it, a brand new version of InDesign. It takes 24 hours for the Earth to revolve around the sun, 12 months to orbit the sun, and?just as surely?about 18 months for Adobe to release a new version of the Creative Suite.
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